They also gave drummer John Bonham time to stretch his legs and arms on “Pat’s Delight,” and guitarist Jimmy Page delighted the crowd largely by his lonesome on “White Summer/Black Mountainside.” It was the kind of dynamic, star-making performance that would propel them to full-on arena-rocker status within the next year. The Queen of Soul, at the peak of her fame and the height of her vocal powers, settling into the home of the hippies to show ’em how it’s done. MORE. Perhaps that was because so many of their favorite bands were inspired by (and often covered) Berry, like, for example, the Steve Miller Blues Band. And like that that one, it proved definitively that this was one of the most electrifying rock groups of its time. It is referenced by Hunter S. Thompson in Fear and Loathing in Las Vegas in a description of the counterculture of the 1960s in the San Francisco Bay Area. Also other data will not be shared with third person. Some artists mixed studio recordings with Fillmore-taped live material, while others, although wholly live, mixed Fillmore material with live tracks from other venues. It would be the last album of new material released during his lifetime. In March 1971, the Detroit-native landed in San Francisco for a series of three shows at the Fillmore West, all of which were recorded for posterity and released in an official live album just two months after the fact. On March 5, 6 and 7, 1971, Curtis Ousley and his band were not only serving as accompanists to Queen of Soul Aretha Franklin for her historic sets at the venue, but also as her opening act. "The article was about the reintroduction of Tuesday night "auditions" at Winterland, where Pompili was now Bill Graham's General Manager. Even from my limited evidence, its clear that some bands played the Tuesday auditions more than once. In 1971, much less 1968, recording studio time was expensive and hard to come by. Fillmore West, San Francisco, CA. They were sharing the bill with a new band from Contra Costa County called Country Weather, and a singer named Jim Pepper. December 14, 1969 featured Insanity Rules, Lila and Immaculate Contraption. &amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;gt;&amp;amp;amp;lt;br /&amp;amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;<br />
By the summer of 1969, the pioneering British bluesman had already led bands showcasing the likes of Eric Clapton, Mick Taylor and three blokes who would go on to form Fleetwood Mac: Peter Green, Mick Fleetwood and John McVie. In all, we know of nearly 200 “live at the Fillmore” albums, many released while the venues were still in operation and others, drawn from tapes recorded by the bands or Graham’s people, in more recent years. I added some shows for November 1969 and one from April 14, 1970 (per SF Chronicle). While the company mostly curates and hosts events in bigger and more prominent public spaces in San Francisco like the Palace Of Fine Arts and the US Mint, the fact that the old Fillmore West site is privately owned by a developer allows them to plan a wide variety of different gatherings, chief among them they hope, is music. I feel blessed to have been a part of that music scene as a privileged spectator. Guitarist Mike Bloomfield had left the Paul Butterfield Blues Band. According to critic Joel Selvin, the "six-month run may well have corresponded with the height of the whole '60s Haight-Ashbury/San Francisco thing."[1]. Celestial Hysteria was playing the audition night for the second time (see Nov 11, 1969). The other three tracks were recorded at Winterland (3/8,10/68). However, for some reason Phoenix ended up with the opening slot, and most of the crowd and none of the record reps were there, and Country Weather "won" the audition. Hey, it was a strange, strange time, man. Beginning in 1968, it was briefly operated by a collective formed by the Grateful Dead, Jefferson Airplane, Quicksilver Messenger Service and Big Brother and the Holding Company as a social/musical "laboratory experiment". The Move recorded a live at the Fillmore album during their one short US tour. It might have been in six months, but you would get the date. I list Vertrek at the Fillmore West on Tuesday, 5/11/69.Other acts were Brotherhood Rush and Nevada. Aretha Franklin is the greatest soul singer in the history of recorded music. – Fun Time and Lots (and Lots) of Covers, Roger Daltrey to Host Front Row Live Event, Randy Bachman of the Guess Who & BTO: Interview, quicksilver messenger service happy trails, https://bestclassicbands.com/fillmore-live-albums-3-16-177/, Radio Hits in November 1967: Take a Look, #1 Singles of 1972: Nothing But Blue Skies. It should have a list, too .. – Fun Time and Lots (and Lots) of Covers, Roger Daltrey to Host Front Row Live Event, Gregg Allman shares a Fillmore East secret, Randy Bachman of the Guess Who & BTO: Interview, https://bestclassicbands.com/10-great-fillmore-live-albums-8-11-16/, Radio Hits in November 1967: Take a Look, #1 Singles of 1972: Nothing But Blue Skies. The six night a week schedule does not resume until July 28, 1970, and again ends after Labor Day. Your data will be safe!Your e-mail address will not be published. They were one of the first bands to play the West Coast venues and quickly became regulars at the New York room, where they burnished their reputation as the must-see band from San Francisco. The other tracks are from the same Winterland dates. What follows is whatever trace evidence is available for specific bands who played audition nights. Bruce and his band Steel Mill had come to California in early 1970. Rock and roll perfection on a double-LP. Best Classic Bands Editor Jeff Tamarkin has been a prolific music journalist for more than four decades. Related: Our Album Rewind of Mad Dogs & Englishmen, 3) Aretha Franklin—Live at Fillmore West (Atlantic, 1971). I clearly remember Tony Joe White doing a set as "Polk Salad Annie" was out at the time. The Fillmore represented the pinnacle of creative music making in the late 1960s. How can I send you some information to verity? Many who were on the scene at the time will testify that Quicksilver Messenger Service was the most incendiary live band in San Francisco in the late ’60s. In 1970, now a huge star after his head-turning appearance at Woodstock, the dynamic English singer Joe Cocker put together a supersized traveling troupe (many borrowed from Delaney and Bonnie’s own), featuring Leon Russell as the musical director (at times, just about stealing the show), plus a full-blown choir, horn section and no less than three drummers and three percussionists. Enrique Bunbury - Postponed, new date TBA. “Cocker put together a supersized traveling troupe” that was “like one big crazy rock ‘n’ roll party”. The Jerry Garcia-led group played the Fillmore West more than anyone else in its short history — over 40-separate performances in just three years — the only real question becomes which show was their best? After three years, Graham closed the Fillmore West on July 4, 1971 with five nights of shows featuring such San Francisco bands as Santana, Creedence Clearwater Revival, Grateful Dead and final band, Quicksilver Messenger Service, with a poetry reading from Allen Ginsberg. Numbingly great. This show was mentioned in Ralph Gleason's, The Aliens were possibly the original "Latin-Rock" band in San Francisco, and thus possibly ever. Sign up for the Best Classic Bands Newsletter. The Allman Brothers Band were always a favorite group of Bill Graham’s and he booked them to perform in his venues on many different occasions, including the final performance at his New York location the Fillmore East in 1971. For the balance of the Summer, the venue was almost always booked six nights a week, just as they had the previous Summer. Led Zeppelin — April 24, 1969. It might be considered cheating by some, but to answer that question you have to go back to the beginning of 1968 when the Dead were one of the co-owners of the building, when it was still called the Carousel Ballroom, just before they handed the deed to the place over to Bill Graham that Summer. The 2,000-seat Fillmore New Orleans opened in 2019 on the second floor of Harrah's New Orleans casino. By the way I was actually at one of those 2/70 shows with Duane Allman. Print Variations. Tuesday November 11, 1969 Gold/Celestial Hysteria/Wisdom Fingers/Shag (per Berkeley Good Times issue 2-43), Tuesday March 24 Wizards/CDC/Sundance/Trouble(per Berkeley Good Times issue 3-12). I am looking for VERTREK, a band listed as a Tuesday Audition band on the back of the Famous Avacado Poster for Led Zep.Can you help.I played the Filmore West that Tuesday before the ZEP concert.Thanks, George R. George, thanks for the interesting information. What a love-fest it must have been! Wheels Of Fire: Only “Toad” was recorded at The Fillmore (Auditorum); the other three were done at Winterland (3/8,10/68) With an eye to reaching the mostly white audience before her, and an untapped white record-buying audience ahead, Franklin presented unique takes on some of the biggest contemporary hits of the day like the Beatles’ “Eleanor Rigby,” and Stephen Stills’ “Love The One Your With.” The knockout moment of the night, however, is her performance of “Bridge Over Troubled Water,” which Paul Simon himself named as his all-time favorite take on his song. The group included guitarist Chris Michie (1948-2003, later with Van Morrison) and drummer Keith Knudsen (1948-2005, later with Lee Michaels, the Doobie Brothers and Southern Pacific).