meta serif history

[9] Bundespost, despite funding the project, continued instead to use a variety of different versions of Helvetica (before changing them to Frutiger). “Because serif typefaces date back to the 18th century, companies that utilize serif fonts are often seen as more established, serious, and traditional,” says Downey. More loosely, Joanna, TheSerif, FF Meta Serif and Guardian Egyptian are other examples of newspaper and small print-orientated typefaces that have regular, monoline serifs (sometimes more visible in bold weights) but a general humanist text face structure not particularly influenced by nineteenth-century stylings (as Clarendons are). From Meta, a Wikimedia project coordination wiki. In his book The Origin of the Serif, Father Edward Catich said serifs were first introduced when outlines … [3], FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. All through the ’90s, Erik Spiekermann made several attempts at designing a counterpart … Well, now FF Meta has a wife; meet Mrs FF Meta, officially called FF Meta Serif. All through the ’90s, Erik Spiekermann made several attempts at designing a counterpart for his groundbreakingFF Meta®. Erik Spiekermann, born 1947, studied History of Art and English in Berlin. Writing in 1987, Spiekermann gave these credits for Meta as originally designed for the Bundespost. FF Meta Serif and Guardian Egyptian are examples of newspaper and small print-oriented typefaces with some slab-serif characteristics, often most visible in the bold weights. Slanted upper terminal on the top right of. Sans-serif fonts tend to have less stroke width variation than serif fonts. It needs some work, but I think it’s worth pursuing. But that’s work for the winter. Dalam tipografi, huruf tanpa kait atau huruf nirkait (bahasa Inggris: sans-serif) adalah jenis huruf yang tidak memiliki kait pada bagian ujung strokes. The ß in the Roman still has the spur on it that I thought we lost. Kjartansson goes on to detail his own experience, saying, “The first time I heard the term ‘humanist’ in the context of typography was in the form of Erik Spiekermann’s Meta, a sans serif that was the perfect non-Helvetica typeface for a job I worked on when I was fresh out of school. From Wikimedia Commons, the free media repository. The 2 and 3 are much better without serifs on top, and I’ve drawn two simplified ß’s. His Feijoa family gives Mrs Eaves a run for its money. I’ve just delivered a large (and nearly impossible) family of newspaper fonts and have turned my attention back to Meta Antiqua. I must admit that I prefer the name FF Meta Serif to the working title, MetaAntiqua. Kris is the Director of the Klim Type Foundry. I must admit that I prefer the name FF Meta Serif to the working title, MetaAntiqua. The ascenders and descenders match Meta, so they can’t really change – or should I try that too? We need similar x-height in order to mix them. Florian Hardwig says: Aug 5th, 2013 10:28 am. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. This typeface has nine styles and was published by Emigre. 9 Fonts. But the typeface proved popular in many more areas than correspondence. FF Meta was first called PT55, created for the West German Post Office in 1985. Do you agree? FF Meta Serif is shouting to have a Condensed companion already! I really prefer the 2-story g. I know it brings it away from the original, but I think it helps to make it look more like a real serif italic with a strong base in tradition. In the original Meta, they are much heavier in the center stroke, while the two end strokes are lighter. Chosen 4 times. That marks the end of our quickfire tour of the HTML head — there's a lot more you can do in here, but an exhaustive tour would be boring and confusing at this stage, and we just wanted to give you an idea of the most common things you'll find in there for now! Here’s a detailed email thread between Erik Spiekermann and Christian Schwartz. As the typeface would be used repeatedly in small sizes, for identification (rather than copy), require two different weights, and printed quickly on potentially poor paper stock, the brief called for a very legible, neutral, space-saving, and distinguishable (in regards to weight) typeface with special attention to producing unmistakable characters. I can imagine then making a slightly heavier version for glossy paper and very small sizes or bad newsprint, but once we get to the black weight or lighter once, only making those for display, even a little narrower. I’ll play with that tonight. Donald Knuth started work on font creation software in 1977, and produced the first version of Metafont in 1979. Now that I’m done with these two big magazine projects (I’ve delivered over 60 fonts to various clients since the beginning of the year), I’ll be able to respond with comments for him a lot faster than I was. I noticed that all the lowercase s’s looked pretty monoline. NA Serif Letter Logo Design with Creative Intersected Cut. Hans Rudolph Bosshardt set an example by demonstrating the compatibility of Akzidenz Grotesk with FF Meta and Irma Boom dared to mix Univers with Frutiger, Gill Sans et al in … The Bodoni font is a well-known serif typeface series that has had a long history of interpretations by many design houses. The Bold and Medium may be a bit too light, especially the Medium, but Superpolator makes it incredibly easy to play around with the weights. $39.00. FF Meta font is a part of the FF Meta Super Family. Open-source fonts: Ropa Sans, Sofadi One, Fira Sans. One for newspapers, one for magazines. Documenting the fonts needed for Wikimedia projects, and font related developments. The original S and s always struck me as being much too heavy in the middle (and I corrected this in FF Unit), but the end strokes could stand to lose a bit of weight. His second retail typeface, National, was awarded a TDC² Certificate of Excellence in 2008. His take is more of a Slab, and is pretty literal. All through the ’90s, Erik Spiekermann made several attempts at designing a counterpart for his groundbreaking FF Meta®. Sans-serif fonts tend to have less stroke width variation than serif fonts. So we’ll have Book, Medium, Bold and Black, plus their Italics and Small Caps. See what you think of this clunkier, more interesting version of the Light weights and the resulting interpolations. FF Meta Serif and Guardian Egyptian are examples of newspaper and small print-orientated typefaces with some slab-serif characteristics, often most visible in the bold weights. FF Meta Serif and Guardian Egyptian are examples of newspaper and small print-orientated typefaces with some slab-serif characteristics, often most visible in the bold weights. Méridien, an example of a Latin typeface. There are some minor weight problems (M and w, most glaringly), and the overall spacing may be a bit too tight, but I think the face is on the right track – it has the warmth and seriousness of the Economist text face, so it will work for magazines, and the sturdiness of a good news face. By the way, I just got a copy of a Swedish language paper from Turku, Finland called Åbo Underrättelser that uses FF Meta Headline pretty nicely. It’s a little hard to tell from unhinted outlines. FF Meta adalah rupa huruf tanpa kait (sans-serif) yang dirancang dan dikembangkan oleh Erik Spiekermann pada tahun 1985 dan dirilis tahun 1992. - Buy this stock vector and explore similar vectors at Adobe Stock - Buy this stock vector and explore … At this time Meta was called PT55 (for the regular weight) and PT75 (bold). That’ll make a workable family without having to go through all the weights. After college, Spiekermann spent several years as a freelance graphic designer in London. Type designer and typography consultant based in New York City. Kris is very fast, and Superpolator helps a lot. They are often used to convey simplicity and modernity or minimalism. That may not be a bad thing, though, because I do think they look good together, and a real Antiqua would probably have a longer shelf life. We threw too much bleach on it. FF Meta Serif – Get it now at FontShop.com. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". More info… The latest version is Serif PhotoPlus X8 and is compatible with Windows XP (SP2, 32 bit), Windows Vista, Windows 7, Windows 8 and Windows 10. They are often used to convey simplicity and modernity or minimalism. Most importantly, it feels like Meta to me and mixes well with the Bold. [8] The typeface is particularly similar to Syntax, one of Spiekermann's candidate typefaces. Design of the completed alphabets by Gerry Barney and Mike Pratley at Sedley Place Design, London. But for years FF Meta lived a lonely existence with no Serif companion to keep it company. File; File history; File usage on Commons ; File usage on other wikis; Size of this PNG preview of this SVG file: 256 × 256 pixels. He is a founder of the German mega-firm MetaDesign, and FontShop, the first online distributor of digital fonts. And the Medium or Semibold will be really easy to make – I’ve just set Kris up with Erik van Blokland’s Superpolator, which even interpolates the kerning. When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. 2 Fonts. The Metafont system allows fonts to be processed in unusual ways; in 1982 Knuth showed how it could be used to morph fonts, with a serif font slowly transitioning into a sans-serif design over the course of a text. Please help by correcting, augmenting and revising the text into an up-to-date form. by Peter Biľak. Jackson Burke, 1948/1960. After completing and digitizing the typesetting font, mockups were generated for Bundespost's new forms and publication. A bit of it needs to remain. Whether serif or sans, humanist fonts tend to look more like they are done by a human hand, with a natural, organic expanding and contracting of the strokes as if the letters were drawn calligraphically. From top to bottom: The Serif and The Sans, FF Meta Serif® and FF Meta®, FF Scala Sans® and FF Scala®, FF Unit® and FF Unit Slab® Without planning a type family initially, Eric Gill designed his Gill Sans and Joanna in strong resemblance to one another. Taking into account research done on six font families and the constraints of the brief, the characteristics of what would become FF Meta began to take shape. An alphabetical list of every font ever featured on Typewolf with font usage data and yearly popularity lists for 2013, 2014 and 2015. He returned to Berlin in 1979, where, together with two partners, he founded MetaDesign, Germany’s largest design firm, with offices in Berlin, London and San Francisco. Other styles. I have a method for getting a quick & rough Condensed by squeezing it and interpolating different x and y values. Mrs Eaves Petite Caps . FF Meta Serif and Guardian Egyptian are examples of newspaper and small print-oriented typefaces with some slab-serif characteristics, often most visible in the bold weights. Erik Spiekermann, born 1947, studied History of Art and English in Berlin. Meta Serif. Notes about types that inspired the Ping typeface. The Book is just about finished (all characters are drawn and accented characters are built, and I send comments on all of this stuff yesterday.