And the women you will wow. The enthusiastic applause that they both received at the end, acknowledging their effort, was truly deserved. __________________________________, (03/11/2020) So tonight just recite to your matey, and Carousel from 1943 and 1945 respectively. Brush up your Shakespeare, Start quoting him now. Start quoting him now. Production This semi-staging of Cole Porter’s Kiss me, Kate would not have been so brilliant and effective if not performed by an outstanding orchestra with a great conductor. The rest of the cast were exceptionally effective and contributed to an excellent cohesive ensemble feeling. __________________________________, (18/10/2020) Book by Samuel and Bella Spewack, based on Shakespeare’s The Taming of the Shrew   The musical is a show within a show. If you can’t be a ham and do “Hamlet” It was really fantastic! Let her sample your “Measure For Measure.” If you continue to use this site we will assume that you are happy with it. His continuous smile and the way his whole body moved to the rhythm of the music were fascinating to watch. Make her tike it, what’s more, “As You Like It.” Make comments, explore modern poetry. So, brush up your Shakespeare to then delight in this performance of Porter’s masterpiece when it shows on BBC 2 at the dark of winter.

Alex Bourne – Harrison Howell Simply play on and “Lay on, Macduffy!” Overall, it was a very enjoyable, feel-good Prom and people left the hall humming some of the catchier bits or with a smile on their faces. Watch Proms … If she says your behavior is heinous Tony Yazbeck – Bill Calhoun / Lucentio PROM 21:Brush Up Your Shakespeare with John Wilson 03/10/2016 03/08/2014 by Margarida Mota-Bull United Kingdom PROM 21 – Cole Porter, Kiss Me, Kate : – Soloists, John Wilson Orchestra, John Wilson (conductor), Royal Albert Hall, London, 2.8.2014. Choreography by Alistair David. And they’ll think you’re a helluva fella. __________________________________, (30/09/2020) With the wife of the British embessida https://www.youtube.com/watch?v=aSmZfnax1yw. Become a Musicnotes Pro - Plus member today and receive PDFs included with every song plus take 15% off all digital sheet music purchases! Just remind her that “All’s Well That Ends Well.” Alexandra Silber – Lilli Vanessi / Katherine His double intentions are pretty obvious as the poem progresses but for someone who has never thought of the Bards work in this light the poem was quite amusing. ha ha ha awesomeness that was great. Brush up your Shakespeare Brush up your Shakespeare The bard of Stratford-on-Avon. Treat the kid to “A Midsummer Night’s Dream.” Kiss me, Katey.” Join today for free! Brush up your Shakespeare,

The cast of Kiss me, Kate that performed last night at the Royal Albert Hall was generally excellent and very effective.

7 available keys. And the women you will wow. __________________________________, (28/09/2020) It deals with the production of a musical version of Shakespeare’s play and the conflict on- and off-stage between Fred Graham, the show’s director, producer and star, and his leading lady, his ex-wife Lilli Vanessi. Gary Watson – Hortensio And they’ll all kowtow. __________________________________. Brush up your Shakespeare Start quoting him now Brush up your Shakespeare And the women you will wow. Brush up your Shakespeare __________________________________, (01/11/2020) The work seemed better acted than sung but it’s possibly just my opinion due to the operatic upbringing always present at the back of my mind. Stage director Shaun Kerrison and choreographer Alistair David made the most of the Royal Albert Hall’s restricted stage and managed a convincing staging with only a few props and the actors in costume. Louise Dearman as Lois Lane/Bianca made the most of her double role, performing all her numbers exceptionally well, particularly the wonderfully witty Always True to You in My Fashion which she delivered in a sassy, good-humoured style. By then, no doubt, we will all need some sugar and brightness to make us feel good! Profanity : Our optional filter replaced words with *** on this page •, © by owner. Start quoting him now. Wow. Brush up your Shakespeare, Brush up your Shakespeare Stage direction by Shaun Kerrison The best singer was undoubtedly Ben Davis who played Fred Graham/Petruchio. Leaving the best for last, I must now speak about John Wilson and his orchestra who, to me, were the real stars of the show.

__________________________________, (02/11/2020) Louise Dearman – Lois Lane / Bianca So to win their hearts one must quote with ease

Start quoting him now. If she says she won’t buy it or tike it

Brush up your Shakespeare SKU: MN0038738 Brush up your Shakespeare

(MMB), Cole Porter: Kiss me, Kate – semi-staged production

SINCE 1999 A LIVE REVIEW SITE FOR OPERA, BALLET, CONCERTS, BROADCASTS, AND THEATRE, United Kingdom PROM 21 – Cole Porter, Kiss Me, Kate: – Soloists, John Wilson Orchestra, John Wilson (conductor), Royal Albert Hall, London, 2.8.2014. What are clothes? Porter included in the lyrics many direct and indirect references to contemporary situations, during the 1940s, like in the wonderfully sarcastic piece sung by Katherine, I hate men, as well as directly naming celebrities of the time, such as Clark Gable, in Lois Lane’s sassy and funny Always True to You in My Fashion. And the women you will wow. Somehow she might not be fooled with the Kiss me Katey cos Shakespeare can't take the credit for that one, Thanks for the introduction to Kiss me Kate. Music & lyrics by Cole Porter Cole Porter’s musical Kiss me, Kate from 1948 represented his resounding come-back, after a string of failures during the 1940s, and to me, it is his masterpiece. If your goil is a Washington Heights dream. As also mentioned in the programme notes, Porter gave different colours to the music for the Shakespeare numbers as opposed to the backstage scenes and in two numbers – Petruchio’s I’ve Come to Wive It Wealthily in Padua and Katherine’s I Am Ashamed That Women Are So Simple – he uses words very close to Shakespeare’s own, which further enhances the effectiveness of the concept of the show within the show.